【骨灰级老片讨论区】

喜欢《影子武士》

dongzhiwuyu

喜欢《乱》、《野良犬》、《懒汉睡夫》、《独行杀手》、《红圈》、《第七封印》

电影王国国民

原帖由 thelittlejoe 于 2007-11-22 12:13 PM 发表
鱼与熊掌，难说更喜欢哪部

艺术电影圣三位一体塔尔科夫斯基、费里尼和英玛·伯格曼大学时期尤其推崇，虽然作品大多晦涩难懂，但所昭示的精神往往是纯粹而无法复制的，比如《第7封印》中同死神下棋，可惜的是，自英 ...

其实也是。
奇斯洛夫斯基、费里尼、伯格曼、希区柯克、卓别林、加里格兰特、嘉宝、两位赫本．．．．．
胪列下来可以很多。

很想有意的讨论者都挑一部，写几句话玩味一下。:P

画船雨眠

我看得最多的居然是《少林寺》，当时电影至少也看了大约7遍了。

电影王国国民

原帖由 画船雨眠 于 2007-11-23 09:30 AM 发表
我看得最多的居然是《少林寺》，当时电影至少也看了大约7遍了。

7遍不算疯狂，有些人疯狂上来可以上百次地百看不厌。
我奇怪自己为何每年也会重看一回铁达尼，
数数手指，都有10多遍了。
深知这样的片子没有必要一再翻看，
但有一种特别的原因，我也不清楚，令我一再看下去而不会生厌。
这可能就是“经典”的通兆吧。

也曾讨论过翻看电影的问题。
必要和没必要是比较之下产生的，所以不论。

carfyou

其实在中国大陆80年代生人，也就是鄙人这一年龄段的年轻人当中，印象最深刻的当然是陪伴着童年时光的老革命题材影片。
回想起来，那时候但凡有电视台播出或露天电影上映这些影片，可真能在小朋友中产生万人空巷的效果。
《小兵张嘎》、《地道战》、《地雷战》、《闪闪的红星》、《红孩子》、《小八路》、《平原游击队》。。。
很怀念那时坐在草地上，和一群伙伴端着下巴看露天电影的时光。

电影王国国民

原帖由 carfyou 于 2007-11-23 10:41 AM 发表
其实在中国大陆80年代生人，也就是鄙人这一年龄段的年轻人当中，印象最深刻的当然是陪伴着童年时光的老革命题材影片。
回想起来，那时候但凡有电视台播出或露天电影上映这些影片，可真能在小朋友中产生万人空巷的效 ...

我是８０年代后期的。
这些反而没怎么看（地方问题）。

电影王国国民

有看过little fugitive的没？
看过的来说说。很布意思的中部独立影片。

先看这个：
"A remarkable indy classic, made on a shoestring budget."

Reviewed by Dennis Schwartz

A remarkable indy classic, made on a shoestring budget by a group of still photographers. It's an affecting lyrical comedy-drama that fully captures the flavor of urban childhood innocence of the 1950s. It's written/directed by the team of Morris Engel and Ray Ashley and Ruth Orkin. The Little Fugitive was added to the Library of Congress National Film Registry in 1997. It won the Silver Lion Award at the 1953 Venice Film Festival. Francois Truffault credits Engel's Little Fugitive, a minimalist b/w filmed story told in a simple naturalistic manner, as being a major influence for the French New Wave films. The film's inventive use of handheld cameras (35mm) and its disjointed editing techniques establish a documentary-like edge perfectly attuned to its honest treatment of childhood astonishment and anxiety. But the film's greatest strength is the unforgettable performance Richie Andrusco gives as he charmingly plays the 7-year-old runaway Joey Norton, who innocently wanders alone in crowded Coney Island for a day and a half.

When the widowed Mrs. Norton, a Brooklynite in a working class area, learns her mother is ill by a long-distance phone call, she tells her 12-year-old son Lennie that he will have to baby-sit his younger brother Joey and not go with his two friends to Coney Island as promised. Childishly upset over this disappointment, Lennie and his friends Charley and Harry pull a mean-spirited trick on Joey. Harry has Joey fire a rifle and Lennie pretends he was shot dead, even smearing ketchup over his polo shirt. Harry then tells Joey that he killed his brother and gives him Lennie's birthday gift of a harmonica to convince him his brother is dead. He also tells Joey to go on the lam for awhile and watch out for policemen. Joey dressed in a polo shirt and wearing a gun strap with a cap pistol, returns to the apartment and takes the $6 his mother left for shopping expenses and climbs down the fire escape of the apartment building to flee the neighborhood. He gets on the elevated BMT subway and gets off at the last stop of Coney Island.

The focus of the movie is on watching the frightened youngster land in such a children's fantasy spot and roam around with wide-open eyes, as the the ever-observant camera focuses on his adventures. Joey uses the money to go on the merry-go-round, ride the Steeplechase, hit the thrown balls in the batting cage, take a photograph as a cowboy and throw the ball in the knockdown game to win a prize. Joey loads up on soda pop, cotton candy, Nathan's hot dogs, watermelon, and corn-on-the-cob. When he spots the pony ride, his favorite, he has run out of money. But soon learns from another youngster that you can collect empty soda bottles on the beach and return them for a deposit. With that money he becomes a regular on the pony ride, as the kind-hearted worker takes a liking to him and teaches the cowboy loving child how to ride.

The dialogue was sparse, the story was unambitious, the film lacked drama, the children were very ordinary and their problem was only a minor one, nevertheless this beautifully realized film caught the world through the innocent eyes of a curious and scared child and left an impression that was hard to shake. It was uplifting to watch because the effort was so genuine. The Lester Troeb harmonica music in the background made it feel like a cowboy adventure as it sets a wonderfully lighthearted mood. I felt so much better for seeing it, and it also induced me to reflect back on an age when American big cities were more innocent and a child could believably survive such an experience without coming to harm. You can read all you want about how the country has changed, but to see it so clearly as filmed in this magazine-like looking pic makes it all the more astonishing.

trs

罗马尼亚年轻人对“复仇”等老片相当着迷。

电影王国国民

对于加里葛兰式的城市喜剧，是很合我味道的。